“ú–{ƒzƒvƒLƒ“ƒY‹¦‰ï“Œ‹ž•”‰ï

‹I@@@@—v

‘n Ч@†                            1972”N‚RŒŽ


–ÚŽŸ

Šª@“ª@Œ¾@---------------------------------------- Žð@ˆä@‘P@F@  i‚Pj

ƒzƒvƒLƒ“ƒY‚ÆŽ„@------------------------------------- P.@ƒ~ƒ‹ƒ[ƒh@ i‚Qj

ƒzƒvƒLƒ“ƒY‚ÌŽ©‘RŠÏ‚Æ’´Ž©‘RŠÏ@------------------------ ‘å@“¹@––@‹g@ i‚Tj

ƒzƒvƒLƒ“ƒY‚ÌŽ¢t£‚̉C—¥\‘¢@------------------------ ]–ì‘ò@ˆê@‰Ã@ i‚Wj

ƒzƒvƒLƒ“ƒY‚ÌŽ‚Ì“ï‰ð‚³@--------------------------------- ŒS@ŽR@ ’¼   (10)

‘é@------------------------------------------------- ‚@“c@‹v@šæ@ (13)

uƒrƒ“ƒWƒB‚̃|ƒvƒ‰v‚ƃN[ƒp[‚Ì
uƒ|ƒvƒ‰|ƒtƒB[ƒ‹ƒh£ -------------------------------- Î@ˆä@³”V•@ (15)

u‰”‚Ì‚±‚¾‚Üv‚Æ¢‹à‚Ì‚±‚¾‚Ü£‚ɂ‚¢‚Ä@----------------- …@“c@Œ\@Žq@ (18)

u•…“÷‚̈Ԃßv‚É‚©‚¯‚éDESPAIR\DOGŠÖŒW@--------------- ’ç@@@–¾@Žq@ (20)

ƒzƒvƒLƒ“ƒY‚Ì‘«Õ@------------------------------------ —§@ŠÔ@@@ŽÀ@ (24)

k‰ï@@•ñl@-------------------------------------------------------- (27)
 

Bulletin

Of

The Hopkins Society in Japan (Tokyo Area)
 
 
 

No.1                                March, 1972
 

Forword ----------------------------------------------------- Y.Sakai  (1)

Hopkins and I ---------------------------------------------- P.Milward  (2)

Hopkins' View of Nature and the Supernatural----------------- S.Omichi  (5)

The Rhythm Structure of Hopkins' 'Spring'------------------ K.Enozaka   (8)

Difficulties in Hopkins' Poems --------------------------- N.Koriyama  (10)

The Windover ----------------------------------------------- H.Takada  (13)

"Binsey Poplars" and W.Cowper's"The Poplar Field"------------ S.Ishii  (15)

"The Leaden Echo" and "The Golden Echo"--------------------- K.Mizuta  (18)

The Despair -- God Relation in"Carrion Comfort"------------ A.Tsutsumi (20)

The Footsteps of Hopkins ----------------------------------- M.Tatsuma (24)
@
 

“ú–{ƒzƒvƒLƒ“ƒY‹¦‰ï“Œ‹ž•”‰ï‹I—v

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‘æ‚Q†@@@@   @@@@@ @@@@@@1973”N3ŒŽ

–ÚŽŸ

G.M.Hopkins ‚Æ Walter Pater --------------------------------- Žðˆä@‘PF (1)

The Piedness of Beauty ------------------------------ P.ƒ~ƒ‹ƒ|ƒh, S.J. (6)

uƒhƒCƒc†“ï”jv‚̃Cƒ“ƒXƒPƒCƒt -------------------------------- ‘哹@––‹g (9)

Sprung Rhythy‚Ì–{Ž¿ ---------------------------------------- ]–ì‘òˆê‰Ã (15)

"Churlsgrace" in"Harry Ploughman" -------------------------- ’ç@@–¾Žq (24)

ƒzƒvƒLƒ“ƒY‚É‚¨‚¯‚é_‚Æl ------------------------------------- ‰iˆä ‚Ä‚éŽq(30)

¢Ž©‘R‚̓wƒ‰ƒNƒŒƒCƒgƒX‚̉΂¨‚æ‚Ñ•œŠˆ‚̈Ԃߣ -------------------- …“c@Œ\Žq (33)

"No worst"‚É‚¨‚¯‚éHopkins‚ÌŒ¾Œê—p–@ -------------------------- Š}Œ´@Œb  (38)

"Pied Beauty" ---------------------------------------------- ˆÉ@—CŽq (44)

ƒzƒvƒLƒ“ƒY‚Ƃزƒ^|‚ɂ݂ç‚ê‚é”ü‚Ì‹Žó‚Æ’´Ž ------------------- ⌳@’‰–¾ (49)

•¶@Œ£ ---------------------------------------------------------------- (52)

‰ï@•ñ ---------------------------------------------------------------- (53)
 

Hopkins Research

Bulletin of the Hopkins Society of Japan. Tokyo Area

No.2                                 March 1973

Contents

G.M.Hopkins and Walter Pater ------------------------------- Yoshitaka Sakai (1)

The Piedness of Beauty --------------------------------- Peter Milward, S.J. (6)

"Inscape" in "The Wreck of the Deutschland"---------------- Suekichi Omichi  (9)

The Essence of Sprung Rhythm----------------------------- Kazuyoshi Enozawa (15)

"Churlsgrace" in "Harry Ploughman"-------------------------- Akiko Tsutsumi (24)

Man vis-a-vis with God in Hopkins ---------------------------- Teruko Nagai (30)

"That Nature is a Heraclitean Fire
and of the Comfort of the Resurrection"----------------------- Keiko Mizuta (33)

Hopkins' Use of Language in "No worst"------------------------ Kei Kasahara (38)

"Pied Beauty"--------------------------------------------------- Yuko Ibuki (44)

Hopkins and Pater on Beauty ------------------------------ Tadaaki Sakamoto (49)

Bibliography--------------------------------------------------------------- (52)

Notes and Comments--------------------------------------------------------- (53)
 

“ú–{ƒzƒvƒLƒ“ƒY‹¦‰ï“Œ‹ž•”‰ï‹I—v

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‘æ‚R†@@@                       @@1974”N3ŒŽ

–ÚŽŸ

G.M.Hopkins and Robert Bridges------------------------------------Žðˆä@‘PF (1)

ƒzƒvƒLƒ“ƒY‚ƃAƒ“ƒhƒ“ƒ‹|Eƒ}|ƒuƒFƒ‹|uŠ®“¿‚Ì•žv‚Æ
uŒ˜‚¢ŒˆˆÓ‚̰‚Æ‘¢‚ç‚ꂽ‰õŠy‚Ƃ̑Θbv‚ɂ‚¢‚Ä --------------------- Έ䳔V• (7)

Goldengrove Unleaving ---------------------------------- P.ƒ~ƒ‹ƒ|ƒh, S.J. (11)

G.M.Hopkins and R.S.Thomas -------------------------------------- R.ƒNƒ“ƒc (17)

Hopkins' Use of Images Drawn from Sea, Wind and Sky
in "The Wreck of the Deutschland"--------------------- ƒVƒXƒ^|MƒtƒBƒƒ|ƒk (22)

"The Windhover" and "Over Sir John's Hill" --------------------- Ö“¡@³Žq (26)

"Felt Instress" in Hokusai and Hopkins ------------------------- ’ç@@–¾Žq (32)

G.M.Hopkins and Henry Purcell ---------------------------------- “à“¡@G—Y (38)

Sake in "Henry Purcell" ----------------------------------------- –x“c ŒöŽq (41)

T.S.Eliot's Views on G.M.Hopkins ------------------------------- ]–ì‘òˆê‰Ã (46)

ƒzƒvƒLƒ“ƒY‚̸_‚Ì‹ê–ã‚ɂ‚¢‚Ä ----------------------------------- ⌳@’‰–¾ (53)

Notes and Comments ------------------------------------------------------- (58)
 

Hopkins Research

Bulletin of The Hopkins Society of Japan, Tokyo Area

No.3                                  March 1974

Contents

G.M.Hopkins and Robert Bridges --------------------------- Yoshitaka Sakai  (1)

"The Habit of Perfection"
and Marven's "A Dialogue"--------------------------------- Shonosuke Ishii  (4)

Goldengrove Unleaving--------------------------------- Peter Milward, S.J. (11)

G.M.Hopkins and R.S.Thomas ---------------------------------- Robert Kuntz (17)

Hopkins' Use of Images Drawn from Sea, Wind and Sky
in "The Wreck of the Deutschland" --------------------- Sister M.Philomene (22)

"The Windhover" and "Over Sir John's Hill"------------------- Masako Saito (26)

"Felt Instress" in Hokusai and Hopkins--------------------- Akiko Tsutsumi (32)

G.M.Hopkins and Henry Purcell--------------------------------- Hideo Naito (38)

Sake in "Henry Purcell"-------------------------------------- Kimiko Hotta (41)

T.S.Eliot's Views on G.M.Hopkins------------------------ Kazuyoshi Enozawa (46)

Hopkins' Agony of Mind----------------------------------- Tadaaki Sakamoto (53)

Notes and Comments-------------------------------------------------------- (58)

@

@

“ú–{ƒzƒvƒLƒ“ƒY‹¦‰ï“Œ‹ž•”‰ï‹I—v

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‘æ4†@@@@@@@@@             @@1975”N7ŒŽ

–ÚŽŸ

Mortality‚̃‚ƒ`|ƒt--------------------------------------------- ’r’J@•q—Y  (1)

The World of Wales-------------------------------------- P.ƒ~ƒ‹ƒ|ƒh, S.J. (7)

In honour of St. Alphonsus Rodriguez,
And the Concept of Honour--------------------------- M.D.ƒIƒuƒ‰ƒCƒGƒ“, S.J. (11)

George Herbert Gerard Manly Hopkins----------------------- M.F. ƒ_ƒtƒFƒbƒg  (17)

Hopkins the Translator----------------------------------------- J. ƒ‚ƒ‰ƒ“   (23)

God's Grandeur\An Essay---------------------------------------- ŒSŽR@’¼   (34)

"May" in G.M.Hopkins and T.S.Eliot------------------------------ Š}Œ´@Œb   (38)

The Meaning of "Forging" in G.M.Hopkins' Poems---------------- –x“c@ŒöŽq   (45)

Hopkins and Arnold-------------------------------------------- ⌳@’‰–¾   (50)

Annual Bibliographies of Hopkins in Japan, 1971\1974--------- “s’z@—C‹g   (53)

News, Notes and Comments-------------------------------------------------- (61)

@

Hopkins Research

Bulletin of The Hopkins Society of Japan, Tokyo Area

No.4                                     July 1975

Contents

The Motif of Mortality--------------------------------------- Toshio Ikeya  (1)

The World of Wales------------------------------------- Peter Milward, S.J  (7)

In honour of St. Alphonsus Rodriguez,
And the Concept of Honour------------------------------- M.D.O'Brien, S.J. (11)

George Herbert and Gerard Manley Hopkins--------------- Michael F. Duffett (17)

Hopkins the Translator--------------------------------------- Joseph Moran (23)

God's Grandeur\An Essay---------------------------------- Naoshi Kiriyama (34)

"May" in G.M.Hopkins and T.S.Eliot--------------------------- Kei Kasahara (38)

The Meaning of "Forging" in G.M. Hopkins' Poems-------------- Kimiko Hotta (45)

Hopkins and Arnold--------------------------------------- Tadaaki Sakamoto (50)

Annual Bibliographies of Hopkins in Japan, 1971\1974 ---- Yukichi Tsuzuki (53)

News, Notes and Comments---------------------------------------------------(61)

@

@

“ú–{ƒzƒvƒLƒ“ƒY‹¦‰ï“Œ‹ž•”‰ï‹I—v

ƒzƒvƒLƒ“ƒYŒ¤‹†

‘æ‚T†@@@@@@@@@@@@    @@@@1976”N9ŒŽ
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
–ÚŽŸ

Edith Sitwell‚̃zƒvƒLƒ“ƒY˜_------------------------------------Žðˆä@‘PF ( 1 )

Shock in Hopkins-----------------------------------------P.ƒ~ƒ‹ƒ|,S.J. ( 4 )

”ü‚Ì“ñ‘Š(ƒzƒvƒLƒ“ƒY‚ÌŽ‚É‚¨‚¯‚é)--------------------------------’r’J@•q—Y ( 7 )

ƒAƒCƒ‹ƒ‰ƒ“ƒh‚É‚¨‚¯‚éì•i‚æ‚è-------------------------------------“à“¡@G—Y (11)

ƒzƒvƒLƒ“ƒY‚É‚¨‚¯‚é_‚Æli‡Uj-----------------------------------‰iˆä ‚Ä‚éŽq(14)

ŋ߂̑åŠw‹I—v‚»‚Ì‘¼‚É‚¨‚¯‚éƒzƒvƒLƒ“ƒY----------------------------“s’z@—C‹g (18)

ƒXƒRƒgƒDƒX‚ƃzƒvƒLƒ“ƒY|haecceitas‚Æinscape‚Ƃ̊֘A‚ɂ‚¢‚Ä|----ŽëW “úo’j (21)

Hopkins and Dylan Thomas---------------------------------------Ö“¡@³Žq (24)

Ground of Being, and Granite of It--------------------------Kei Kasahara (30)

Two Contrasting Poems by Eliot and Hopkins---------------------ˆÉ@—CŽq (35)

The Ambiguity of "Host" in Nondum-----------------------ƒVƒXƒ^|‚–ì@ŽÀ‘ã (39)

A View of the Connections between Hopkins and Scotus ----------‘哹@––‹g (42)

Annual Report (& Contents of HR No.3 and No.4)-------------------------- (45)

@

@

Hopkins Research

Bulletin of The Hopkins Society of Japan, Tokyo Area

No.5                               September 1976

Contents

Edith Sitwell on G.M.Hopkins----------------------------- Yoshitaka Sakai  (1)

Shoch in Hopkins-------------------------------------- Peter Milward, S.J. (4)

The Two Aspects of Beauty in G.M.Hopkins' Poems------------- Toshio Ikeya  (7)

Hopkins' works in Ireland------------------------------------ Hideo Naito (11)

Man vis-a-vis God in Hopkins (‡U)--------------------------- Teruko Nagai (14)

Recent Research of Hopkins Delivered
in Some University Bulletins, etc.----------------------- Yukichi Tsuzuki (18)

Scotus and Hopkins
\Connection between haecceitas and inscape \ ------- Hideo Kariataumari (21)

Hopkins and Dylan Thomas------------------------------------ Masako Saito (24)

Ground of Being, and Granite of It-------------------------- Kei Kasahara (30)

Two Contrasting Poems by Eliot and Hopkins-------------------- Yuko Ibuki (35)

The ambiguity of "Host"in Nondum---------------------- Sister Miyo Takano (39)

View of the connections between Hopkins and Scotus------ Suekitchi Omichi (42)

Annual Report (& Contents of HR No.3 and No.4)--------------------------- (45)

@

@

@

“ú–{ƒzƒvƒLƒ“ƒY‹¦‰ï“Œ‹ž•”‰ï‹I—v

ƒzƒvƒLƒ“ƒXŒ¤‹†

‘æ‚U†@@@@@@@@@@@@@       @1977”N7ŒŽ

–ÚŽŸ

Edith Sitwell ‚̃zƒvƒLƒ“ƒX˜_(‚»‚Ì“ñ)---------------------------- Žðˆä@‘PF i1j

ƒzƒvƒLƒ“ƒY‚Ì¢‚±‚¾‚Ü£‚Ì–{Ž¿----------------------------- ƒs[ƒ^[Eƒ~ƒ‹ƒ[ƒh i6j

¯ŒŽ–é--------------------------------------------------- ƒWƒ‡ƒ“EƒZƒ‰ƒ“ƒh (10j

ƒzƒvƒLƒ“ƒY‚ÌŽ‚É‚¨‚¯‚éŒõ---------------------------------------- ’r’J@•q—Yi14j

‹G߂ւ̈ꌩiƒzƒvƒLƒ“ƒY‚ƃrƒoƒ‹ƒfƒBj-------------------------- Qƒo[ƒlƒbƒ^i18j

ƒzƒvƒLƒ“ƒY‚ÌŽ‚É‚¨‚¯‚éŒõ---------------------------------------- ‰iˆä@WŽqi26j

ˆÙ‚È‚éŠÂ‹«‚Ì“ñl‚ÌŽl(ƒzƒvƒLƒ“ƒY‚ƃzƒCƒbƒgƒ}ƒ“)------------------ —é–Ø@dŽqi29j

ƒhƒ‰ƒCƒfƒ“‚ƃzƒvƒLƒ“ƒY(‰ñS‚ð‚ß‚®‚Á‚Ä)-------------------- ƒn[ƒfƒBƒ“ƒO@®Žqi33j

¢ƒhƒCƒbƒ`ƒ…ƒ‰ƒ“ƒh†‚Ì“ï”j£‚ÉŒ©‚é—Í–{à“ISÛ---------------------- ˆÉ@—CŽqi36j

ƒzƒvƒLƒ“ƒY‚ƃVƒF[ƒNƒXƒsƒA--------------------------------------- ‚‹´@“`޵i40j

ŒÃ‘ã‰pŒê‚ƃzƒvƒLƒ“ƒY(“ª‰C‚ɂ‚¢‚Ä)------------------------------- ‘åŠÖ@N”Ž (44j

ƒzƒvƒLƒ“ƒX‚ƃy[ƒ^[-------------------------------------------- ‘哹@––‹g (49j

Annual Report (& Contents of HR 5)--------------------------------------- (53j
 
 
 
 
 

Hopkins Research

Bulletin of The Hopkins Society of Japan, Tokyo Area

No.6              @                      July 1977

Contents
@
Edith Sitwell on G.M.Hopkins(‡U)-------------------------------Yoshitaka Sakaii1j

THE 'ECHO' PRINCIPLE IN HOPKINS----------------------------------Peter Milwardi6j

The Starlight Night----------------------------------------John Seland,S.V.D. (10)

"The Eye of Hell" in Hopkins-------------------------------------Toshio Ikeya (14)

A Glance at the Seasons: Hopkins and Vivaldi ----------Sister Bernetta Quinn  (18)

The Light in G.m.Hopkins'Poems-----------------------------------Teruko Nagai (26)

Two Poets in Different Circumstances (Hopkins and Whitman)-----Shigeko Suzuki (29)

J.Dryden and G.M.Hopkins(As for Conversion) -------------------Hisako Harding (33)

The Imagery of Dynamism in "The Wreck of the Deutschland" ---------Yuko Ibuki (36)

HOPKINS AND SHAKESPEARE------------------------------------Denshich Takahashi (40)

Old English Poetry and Hopkins(As for Alliteration)-----------Yasuhiro Ohzeki (44)

Hopkins and Peter--------------------------------------------Suekichi Ohmichi (49)

Annual Report (& Contents of HR No.5)-----------------------------------------(53)